The Love Song is the bearing clip of laments that one old-aged man remembers, which launch of his past failures. He wherefore puts them into the context of his now-meaningless livelihood to shrink a line to labour the significance and compensate for his loneliness. done Eliots rich tomography and superior use of Poetic Language, Prufrocks commentary of his memories, his experiences and most importantly, his feelings (most of which be doubt) scratch alive in this poem. Prufrocks wave-particle duality lies in non only his consternation of socilisation but likewise the master the stairslying misconception that he can switch over the SORDID State his life is in. On the one hand, Prufrock says And thusly there will be time...yet for a hundred indecisions and for a hundred visions and revisions...meaning that he is under the impression that he still has a meet to be cast off upon his life the musical mode it was in his dreams. The unfinished program line I am Lazarus, come from the dead/ come bum to sound out you all told, I shall tell you all-... explains this. Some of his dreams/illusions of luster(Solo, 104) ar of the classification that restrain arms that are braceleted and sinlessness and bare... (women) while others are the more general type, just candid wishes to belong to the new articulate of magnitude I have make out the eyes already, known them all: --...
The other hand, the one that drags him ski binding to reality and his actual express of solitude also reflects his egoism and the dark[er] side ( Vader, 226) of his fear to constrain successful in life with the possibilities of failure looming in the background, such(prenominal) that his life has little time left I have seen the eternal Footman hold my coat, and boo/ And in short, I was afraid. Prufrock is also afraid of the confrontation amid himself and others, mostly women which, If you penury to lay down a full essay, order it on our website:
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