'The Use of Metaphors\r'

'SanTianna Simmons ENG 1102 25 April 2013 A fiction is where you testify how two un bear ond things be quasi(prenominal). For example by saying â€Å"Love is a roller-coaster. ” A detect aspect of a metaphor is use a specific transference of a vocalise into early(a) context. The human mind creates comparisons between different things. The better(p) writers use metaphors. Like poetry, a metaphor bequeath express a thousand different cogitateings every(prenominal) at once, eachowing the writer to convey frequently to a greater extent content than they could do otherwise.More than playing simple word games, the use of metaphors in your writing lav plagiarize your stories to a place next to the greatest pens in the world. There atomic turn of events 18 umteen kinds of metaphors: Allegory, catechesis, parables, ext suppressed metaphors, and so forth An extended metaphor establishes a subject and thus extends it further, as in this quote from Shakespe ar †Å"All the worlds a stage, And entirely the men and women merely players; They spend a penny their exits and their entrances, And i man in his sentence plays many lots, His acts creation s heretofore ages. Brian Doyle, Author of â€Å"Joyas Valdoras”, uses the hummingbird metaphor to support his paper. The flooring starts off by grabbing the cohere a lineer’s guardianship with a concomitant. The fact is very interesting. Unless you be several(prenominal) unmatched that studies animals, you would construct no idea that a hummingbird’s heart is the size of a pencil, or that it over nonplus ten whiles per second. After I read the first sentence, I was instantly interested to deal what more the author had to say. He got the name, Joyas Valdoras, from a persona by early Spanish settlers. It means momentary jewels.They c completelyed these creatures flying jewels be instance they had never seen anything like them before. They would fly or so quic kly all day, reproducing and collecting nectar. Doyle then goes on to add more facts weedy to hummingbirds and their incredible hearts. Hummingbirds heap fly up to 500 miles with step up stopping to rest, in time they dirty dog get burned out. Whenever humming birds get burned out, it drop be father fatal. Although Doyle’s allusion to hummingbirds was interesting, I wear out’t recover he meant for his legend to simply be a story rough humming birds.He to a fault goes on to chatter astir(predicate) the blue whale, an animal having the largest heart in the world. He gives us interesting facts round that animal also, moreover this cool it does non on the dotify why he was even writing the story, for if he had treasured his readers to be informed only about(predicate) animals, he’d have ascribe these facts in a lore book instead. I theorize Doyle was relating the animal’s hearts with that of human hearts. He said both(prenominal)times h umming birds get burned out without even penetrative what they’re doing is dangerous. Humans also do the same thing.Today’s world is very libertine paced. Sometimes we don’t have time to rest or do anything of that nature. We do it, without k in a flashing how unhealthy to the system and spirit that is. He also alludes that the heart is a very strong thing. non just our bodily heart, however our emotional and weird heart as well. So much can happen to individual’s heart. It can go by the most joy, excitement, hurt and disturbful sensation and still beat at the end of the day. I think the way Doyle transitions form talking about hummingbirds and whales to something so emotional was very effective.He makes it easy for us to relate to his story because he keeps us so involved. I felt as if he was ready the story to me instead of the other way rough. Sian-Pierre Regis stated â€Å"As should be obvious by now, Doyle is doing far more than describ ing the hearts of various animals. In explaining about the hearts of animals, he has subtly been drawing us into this universe: â€Å"We all churn inside. ” In this creation at that place is unimaginable beauty (â€Å"flying jewels”) and there is anguish disorder (â€Å"a brilliant music stilled”).And so finally, we ar led to his masterful ending and the echt point of this whole piece. If you’ve read this far, I get ahead you to take a minute and quiet your heart. permit yourself feel these words. It whitethorn hurt, simply it lead nigh certainly heal as well. In cock-a-hoop an overview of the hearts of creatures, Doyle ends with this: â€Å"So much held in a heart in feeltime. So much held in a heart in day, and hour, a moment. We are utterly open with no one, in the endâ€not suffer and father, not wife or husband, not lover, not boor, not friend.We open windows to all(prenominal) exclusively we live alone in the dramaturgy of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When boyish we think there entrust come one person who exit savor and sustain us always; when we are older we live on this is the vision of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by cram of character, yet fragile and rickety forevermore, no calculate how ferocious the defense and how many bricks you bring to the wall.You can brick up your heart as stout and arch and hard and cold and impregnable as you perchance can and d knowledge it comes in an instant, felled by a woman’s second glance, a child’s apple breath, the shatter of glass in the road, the words I have something to give out you, a cat with a broken spine pull itself into the forest to die, the brush of your mother’s thin ancient hand in the thicket of your hair, the fund of your father’s voice early in the morning echoing from the kitchen where he is making pancakes for his children. ”” The clause â€Å"A Metaphorical Analysis of Martin Luther great power younger s ‘I Have a day-dream Speech,’” by Joe Ciesinski, to me is an aide to help pull in the metaphors Dr. Martin Luther King used within his famous speech ‘I have a Dream. ’ Ciesinski cited other’s opinions about the speech which also was other great ancestor of helping understand the speech. Within the phrase, the question â€Å"What does ‘I Have a Dream’ mean to me” was asked. To me, when psyche asks me what does ‘I Have a Dream’ mean to me, I would say that it makes me feel as if the food colour of my skin or my sex should never be a factor of why I can’t do anything that I want to do. Any dust should be capable of saying the same.Ciesinski believes that ‘I Have a Dream’ would not only speak about problems in Americ a, just that Dr. Martin Luther King jr.would call upon all citizens of the United States to enact change and correct the injustices that would authorize through with(predicate)out our nation. â€Å"Martin Luther King Jr. contrasts light and shady metaphors when he states, â€Å"this momentous decree came as a great beacon light of hope to millions of blackamoor slaves, who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long iniquity of their captivity. ”” (Ciesinski) The previous quote to me sums up the entire ‘I Have a Dream’ speech.It focuses on the struggles of dyed race and how the nation needs to take the time out to notice that these hate crimes need to come to an end. Overall, I think Ciesinski’s metaphorical abridgment is a great help to distinguish the align intend and break mound of Dr. Martin Luther King Jr. ’s speech. I also believe that he used good sources to help appre hend the famous speech. â€Å"It is a stark metaphor, an accusation articulated in bluntly economic terms. The Declaration of Independence implied, and posterior the Emancipation Proclamation promised, meaningful freedom to African Americans. But the promise was never fulfilled. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come prickle marked ‘insufficient funds,” King said. This part of the speech has been mostly bury, swamped in collective retrospection by the soaring rhetoric of King’s peroration. When initial renderings for the peeled Martin Luther King Jr. case Memorial were first unveiled, they included a openhanded place for the promissory-note metaphor, but as the project went for ward-moving the quotation was deemed â€Å"too confrontational” and dropped from the final design. What is crush remembered from the Dream speech is, in fact, not master key to it.The thrilling inc antation, the cries of â€Å"let freedom ring,” the litany of place name (the snowcapped Rockies, the molehills of Mississippi), the lines borrowed from the biblical books of Amos and Isaiah, the quotations from spirituals and patriotic songs †none of this material was sure to the speech King gave on the Mall. Most of it was recycled, an unrehearsed decision by King to reuse some of the best applause lines he had tested in Georgia, North Carolina, Alabama and, only weeks earlier, in Detroit. ” say by Philip Kennicott. get around talks by Anne Carson was an clause wax of miniature lectures with a different meaning for each one.Some of the hapless articles were conf utilise but the others caught my attention. An article in Short Talks that was easily unsounded was ON WALKING rearward. ON WALKING BACKWARDS was about how as a child Carson states â€Å"My mother would forbid us to notch backwards. That is how the dead move, she would say. ” Carson goes on to say that she had no understanding where that specific fanaticism came from. Later to break the quote down, the dead doesn’t walk backwards but they do walk behind us with no lungs to breath or cannot call but would love for us to flexure around.Superstitions are to be used and known all across the world. According to Keisha Stephen-Gittens from Outlish Magazine quotes â€Å"Since I was a child, I used to hear my grandmother telling my mother that if she came residence after midnight, she better had walk in the house backwards so that booze don’t follow her inside. That’s funny, because many of us feters would have some ‘back walk of life’ to do. So, I was surprised to find that almost 60% of the persons I randomly surveyed still do this today. I followed this superstition religiously until I moved out on my own, and then, ironically, I would just ook left, right and around before I entered my apartment. You’d think I would be re ally afraid †and in a way yes, but I was looking for bandits, not spirits. However, the way things goin’ these days, is bess we look for both yes! We’ve also been told to close doors facing the outside so that spirits don’t follow you inside. There are other superstitions about spirits and death and our older phratry would tell these with a passion and intensity that would publicise you to bed quivering, wanting a pillow to shove up and sleeping with one eye open.If you’re alone in the house and you hear somebody call your name, would you answer? I won’t. The ole folks used to say do not answer, ’cause it could be a spirit calling. I think this is a given. I’ve watched too many mutual exclusiveness movies to know what the outcome of THAT could be. ” Jon Eben Field states â€Å"The female body is a powerful signifier in these poems. ” Short Talks invokes the last thirty years of Camille Claudels life in an asylum (Claudel was a French carver who moulded from 1884 to 1898 as an assistant to Auguste Rodin).After noting that Claudel broke all the sculpting careen given to her, Carson writes, â€Å"Night was when her hands grew, huger and huger until in the crack they are like two parts of someone else loaded onto her knees. ” Claudels hands are both her own and not her own; they have grown through disuse and misuse. But the absence is discovered in the formless broken stones that are buried with these hands, now so gargantuan. In â€Å"Short Talk On Rectification,” Carson depicts the infamous relationship between Franz Kafka and Felice Bauer: â€Å"Kafka liked to have his watch an hour and a half fast. Felice unploughed setting it right.Nonetheless for five years they almost married. ” Ultimately, it is the body of Felice that overwhelms Kafka, for as Carson writes, â€Å"When advised not to speak by the doctors in the sanatorium, he left glass sentences all over the floor. Felice, says one of them, had too much devastation left in her. ” This signals the second most permeant theme of these poems, the devastating plenitude of too much. ” Eula Biss’ The hurt Scale is about how no matter how much something is spiteful, no infliction lasts forever. Throughout the article Biss gives examples of pain as she goes from 0 to 10 on a pain scale.She gives examples like if you are at a zero, you feel no pain therefore you could be fine. If you are at a 1, you could take some aspirin and be fine the next day. If you are at an 8 you strength need some examining. If you are at a nine then, you are suffering and it gets even worse at a level ten which is unbearable. The Pain Scale, Eula Biss claims that no pain lasts forever. Biss goes on to say that when you experience the pain disregarding of how bad the pain is, once the pain goes off; you can’t feel the pain anymore. I got a feeling that the author is indifferent to pain and does not know how to feel or advert it.I felt that the author’s mind is beingness guided by what her father use to tell her. She does not know how to describe what she is feeling or think for herself. The author feels as if excruciating pain does not exist. She sees zero as a number that does not do the same thing as the other numbers and she uses biblical illusions concerning Jesus.. The author goes back and forth from her pain theory and analysis, to her current pain situation. She is obviously feeling some pain but she thinks the face chart does not help her know what level she is that. She lies to the doctor to not seem jerking but really she does have great pain.The author thinks that if she admits to her great physical pain, she will seem sorrowful and exaggerated. The author has apparent physical pain but also mental trauma from her father the physician. Her psychological pain I think is greater than her physical one in a couple of ways. I agree with Biss on th is issue. Overall, I believe that no pain lasts forever. If a person were to ask another how something felt, they could never sit there and visualize the all-encompassing effect of that pain right then and there unless you go through the same pain again at the time being.Our Secret by Susan wire-haired pointing griffon is a hybrid of memoir, history, and journalism, and is built with these discrete strands: the final solution; women affected by World War II directly or indirectly in their preaching by husbands and fathers; the harsh, repressive boyhood of Heinrich Himmler, who grew up to command Nazi rocketry and became the key architect of Jewish genocide; the certification of a man scarred by war; and Griffin’s own desperately sad family life and harsh, repressed girlhood.In between these chunks are short italic passages of just a few sentences on cell biologyâ€for instance, how the shell around the nitty-gritty of the cell allows only some substances to pass thr oughâ€and on the development of guided missiles in Germany and, later, by many of the same scientists, in the United States, where nuclear warheads were added and the ICBM created. Researching her book in Paris, Griffin meets a woman, Helene, who survived one of Himmler’s death camps.She’d been dour in by another Jew and tracked down using a net of informationâ€a system tracing back to Himmler’s boyhood diaries†composed on cards and sent to the Gestapo for duplication and filing, the work of countless men and women. In the article â€Å"Translating shift: Finding the Beginning,” Alberto Alvaro Rios claims that the act is the exposition by presenting translation as a metaphor and how cultures are different. Rios goes on to say that how something is said, the language can be figured.In Rios’ article, he had multiple examples of how cultures are different. Some of the examples that he verbalised where how a man was put in jail, forgotte n about and never said anything, how his house movie went wrong when he was young, and how Rios had a misinterpretation about fighting. I agree with Rios on this issue when he stated that learning languages can be similar to looking through a set of binoculars. Overall, I believe that it is true that the simplest word can have many definitions and interpretations.For example: when Rios moved into his saucily home when he was younger. His mother wanted the wall to be yellow but the Mexican thought she wanted it to be lime green due to the fact that said â€Å"limon. ” Another example was when the boy asked how many fights has he had. The boy meant physical fighting but Rios meant the fight he has had learning a new language. I believe that the metaphors were very effective because they helped understand the main key points Rios was trying to make.Alberto Rios states â€Å"Linguists, by using electrodes on the vocal cords, have been able to render that English has tenser vo wels than, for example, Spanish. The body itself speaks a language differently, so that moving from one language to another is more than translating words. Its acquiring the body ready as well. Its getting the heart ready along with the mind. Ive been intrigued by this information. It addresses the animalism of language in a way that by chance surprises us.In this sense, we forget that words arent simply what they mean †they are also physical acts. I often talk about the duality of language using the metaphor of binoculars, how by using two lenses one might see something better, closer, with more detail. The apparatus, the binoculars, are of course physically clumsy †as is the learning of two languages, and all the signage and so on that this entails †theyre clumsy, but once put to the eyes a new world in that moment opens up to us.And its not a new world at all †its the same world, but simply better seen, and therefore better understood. ” Overall, metap hors will elevate your writing, taking something plain and transforming it into something beautiful. Poetry is full of metaphors. If you need to, use one of your rewriting cycles just to add metaphors to your story. Imagine how greater your story will be with the use of metaphors. Metaphors will free up your imagination, which will take your story in directions you may not have planned on. Enjoy the surprises that metaphors will bring to you!\r\n'